Photo Gauntlet

Gauntlet: It’s Another Dog Photo

by Gary Fong
Photographer: Birgit-Cathrin Duval, www.takkiwrites.com

 
 

Figure 1

 
 
Dog photos, cat photos…rooster photos…it’s all the same to me. Maybe it’s my allergies when I get around animals…but I tend NOT to gravitate to general animal photos.  Pet’s doing tricks, running around out of control, or licking the shoe wax off my loafers is not the way to make photo points with me.
 
Birgit-Cathrin Duval, of Germany (the possible country of origin for the German Shepherd) sent us a photo of a “loving mom” watching “her child” beat off a dog with a stick. The dog thought he was playing fetch the stick…but I’m sure the boy was terrified of this odd strain of fluffy animal that didn’t fit the profile of a police dog.
 
Duval was doing a fashion shoot with professional models. Adding animals to the project escalates the need to controlling the situation in order to get anything done. The wrong animal chasing or biting people can destroy a whole day of shooting.
 
 
 

Now for the Nit Picking

 
Figure 2It’s nice working with professional models and professional dogs. Professional dog models have a sense of “time is money” on a shoot. Working with the average everyday mutt can create out of control moments.
 
With fashion shoots, control of the set is mandatory. If the art director and photographer are trying to build a very defined storyline in the image, cooperation needs to occur among all the subjects, the four-legged variety included. Independent minded dogs or cats with no sense of propriety often disrupt the storyline. In other words, “south end of dogs running north” means the storyline may be a distant aspiration.
 
Duval sent an image of the noise end facing the camera, but the smiling mutt changed mood moment. How frustrating on deadline. Don’t these dogs speak English???
 
Animal photos often take an enormous amount of time, watching, waiting, not to mention letting these critters get accustom to the photographer following them around their house.
 
Kendra Luck of dogumentarian.com often spends hours and hours watching and working with dogs to get the right moments with the animal “caregivers” (the people of Berkeley have a unique outlook on pet “ownership”). Her approach is generally free flow by constantly observing dogs doing what dogs do. She’s doesn’t have to worry about paying for expensive human models.
 

If the shoot requires dogs and human models, see if the budget can accommodate professional dog models. If the shoot requires dogs being…dogs, any mutt will do. But try to avoid the "south end of dogs running north" angle.

Gauntlet: Skydiving - Chute or Shoot

by Gary Fong 
Photographer: Kevin Vandivier, www.kevinv.com
Click to enlarge image

Skydiving

 
If you’ve got one chance to get it right…don’t mess it. Kevin Vandivier had a shoot to get a skydiver jumping out of a perfectly good a bi-plane. The concept is to show the skydiver doing what skydivers do…taking that first BIGGG step in the wild blue yonder.
 
As he thought about it, the best camera angle may be from a UFO tracking very close to the left wing from the tail. That particular angle would show the joy or the terror of the skydiver in midair. The next best vantage point might be from the wing itself.
 
The easiest way to make incremental exposures is to hold onto the camera and press. However, an extra photographer hanging on the wing would interrupt airflow. Unstable air under the wing causes little things like planes falling out of the sky. The next best solution might be a hardwire remote to the camera.
 
Vandivier wanted the glow of the sunset to provide that golden moment of the day as the air jumper steps off. He set his Nikon on auto exposure to make the right exposure in a changing light situation. Because of failing light, Kevin only had one opportunity to get it right.
 
There are two seats on a bi-plane, one for the pilot and one for the pilot’s friend. Between the photographer and the skydiver, one needs to make fast friends…or one may be stuck holding onto the wing. Since the skydiver has a one-way ticket, it makes sense to have Vandivier use the second seat for a round trip. He could also operate the remote from that position as well.

 

Now for the Nit Picking

 
Unfortunately, these days with Photoshoppers correcting what’s not perfect, it’s nice to see something real. The problem with reality, it’s so imperfect.
 
One issue with conceptualized photos…it should look perfect…or close to it. The skydiver’s arm looks like he’s hanging onto something outside the frame. It would be nicer if Kevin clicked the shutter just a shade later. But shooting blind has always been a problem.
 
The second item that caught my eye is the remote cable blowing across the wing. It should have been taped down out of camera range. It would also be nice to have a propellers roaring and the tail wagging in the full frame.
 
But these are all niceties to talk about. Kevin is risking his life to bring home to armchair adventures a little bit of craziness. There should be a little levity on risk taking….even though he’s hiding in the passenger seat in case the plane crashes.

Gauntlet: Let Kids be Kids

by Gary Fong
Photographer: Mary Schannen, http://melangephoto.com/
Click on photos to enlarge.

 
To Infinity and Beyond
 
 
To be a kid again...a simple life free from worries, free to explore the greater backyard, and free to explore a land faraway on the play structures. Photographing that free spirit in children is easy and hard at the same time.
 
It’s easy because they soon forget about the camera minutes after it comes out to capture future memories. It’s hard because kid spirits are elusive to fleeting moments of life. The personalities of little ones often come to the surface interacting with like sized munchkins.
 
Waiting and watching for the lighting, the focus, and the often-missed moments is a skill of patience. Kids-being-kids moments are according to their schedule, not the photographers. Mary Schannen has many successful images of munchkin moments coexisting in time and space when the technical elements blend together with the art of life. Being a supermom with levitation skills doesn’t hurt either.
 

 

Now for the Nit Picking

 
B&W has a tendency to accentuate the light. Her study of light moves the eyes across the image, capturing details that hint at a time long past.
 
AbandonedCarplayTraffic
 
 
Yes, it may be a bit contrived to bring your own suitcase props for portraits (above left), but this type of shooting is not breaking news, where the integrity of the image needs to maintain an objective context. Rather, these are images designed to bring back memories…in some cases memories that may have never happened.
 
Conversion from color to B&W doesn’t mean the detail in the low key areas turn black (above center). If there is detail in the shadows, try to hold the tones in the print. It’s acceptable to burn down areas to move the eye, but it shouldn’t look manipulated to the point of consciousness. It should be subtle, while allowing the viewer to appreciate the detail in the cars and the boy’s sweater.
 
I’m pleased that Mary has allowed the kids to be kids…without the usual stiffness present in so many smile-for-the-camera sessions. I’m also pleased she has a nice lyrical flow of wonderment found so rarely in today’s gameboy generation.
 
What tools does one need to make photos like these? It takes a kid-being-kid and the patience of a lifetime.