by Gary Geschwind
What is your field of photography?
Predominantly documentary, but also architectural and editorial. I work specifically with clients and on projects that relate to urban issues and infrastructure. While I’m often approached for a particular aesthetic, there is also a practical side to the type of work I do…for example, architectural resource surveys.
Why did you choose this field?
It’s the perfect marriage between my passions for photography and the evolution of urban environments. My work is fulfilling on both creative and intellectual planes. 
When did you first become interested in photography?
At around 12 years old in the late 80s…ironically, with a video camera. In high school, I remember negotiating with my English teacher for permission to do a photo-based book report on Macbeth. When I was 16 years old, I took my first college-level course in black and white photography.
What was your academic training in photography?
I have a BA in Humanities and a MA in City and Regional Planning. I don’t have a professional degree in photography, but I wouldn’t say I am self-taught…far from it. I’ve taken many college-level courses and professional workshops over the years. I’ve gotten a lot of support from my teachers and colleagues in terms of cross-pollinating issues and disciplines.
Has your photographic work been influenced by the work of other photographers? How?
I haven’t modeled my work after any particular photographer. Perspectives are dynamic, and while it’s important to explore the full spectrum of photographers and their images. I also like returning to the photo books that have become a part of my collection because I keep seeing new things alongside the familiar.
What was the biggest break in your career?
I’m still growing and building my career. I have a small handful of clients that appreciate my perspectives and abilities. If by “biggest break” you mean made me rich and/or famous…I’m still waiting for that…but I’m also not holding my breath, because that’s not what it’s about for me. I’m excited to be working on a book about the establishment of San Francisco’s waterfront and its contributions to the city’s development.
What would you say is your most important accomplishment in the photographic industry?
Having a business plan, sticking strong to my vision, and being practical and flexible.
What was your most interesting or memorable shoot? Why?
It was a survey of bus stops in Southern California. We had limited resources and were working in uncomfortable and dangerous conditions. It took weeks to coordinate the effort. We had literally two or three minutes for each bus stop. It was exhausting, but we pulled it off…all the images and data came in clean.
Do you have any parting wisdom to share with young photographers?
Just do what feels right to you. Who am I to say more?
